Dolce & Gabbana launched into the Catholic religion and requires the Virgin Mary as a figure trend. “O sacrilege!”Some will say pure genius tell others. Dolce & Gabbana Fall-Winter 2013-2014 divided between wonder and doubt.
Dolce & Gabanna is what Marc Jacobs in New York, that Burberry in London, what Chanel in Paris will brief you understood what the parade event in Milan is. Every season expects a flurry of feminine looks that exude Italy After the colonial empire of Sicily in summer 2013, the Italian duo leans toward the Catholic religion. Their native land is heavily steeped in religious culture; it was only a matter of time before the duo can use them as a basis for their collection. This is the crowned head that Kate King funny irony opened the Dolce & Gabbana Fall-Winter 2013-2014.
Haughty bearing and carmine lips, the beautiful brunette wearing a dress decorated with gilt effigy of the Virgin Mary and the gold glitter pumps. The meeting amazed by this vision could contemplate other silhouettes eye dreamer. The silhouettes are concatenated, dresses, skirts and tops littered reproduction mosaics depicting Biblical scenes.
Gradually silhouettes Catholics have given way to more modern clothing. Suddenly mosaics Catholics tops skirts were worn on wool and then completely disappear and leave the place looks black and gray for most. Sensuality was an appointment with lace and very feminine sizes marked. The look was very classy, tailors well cut and brought gold jewelry of impressive fantasy. While Jil Sander autumn-winter 2013-2014 responds to the crisis with minimalism, Dolce & Gabbana is nothing ostentatious.
Some gold here and there reminding the theme of the collection after a trio of virginal lace dresses, the Dolce & Gabbana suffered a burning fever with a series of looks red passion. The pace was very romantic as the collection of Burberry Trench Kiss, sensuality, Italian and more. Between Prima Donna heroin and holy religious drama, Dolce & Gabbana Autumn-Winter 2013-2014 explores different areas of his personality.
Arguably the Dolce & Gabbana was exquisite and was full of pieces that will be taken shortly in all editorials and fashionistas creativity level, however, the duo seems to stagnate or less wallow in ease. Sets waistcoats worn with bloomers, heavy gold charms or even black dresses with lace underwear had strongly apparent seen.
The duo would simply apply it to a recipe that works by changing only the theme? Anyway, after alternating gray suits and dresses gilt parade Dolce & Gabbana has closed on a masterful final red passion. The fifty mannequin all red and wearing sequins walked the podium with strength and sensuality. Dolce & Gabbana a final applause by the audience, the Mass was said.
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