For their parade Aganovich autumn winter 2013-2014, Brooke Taylor and Nana Aganovich imagine complex parts where volumes colors and materials intertwine to give rise to a singular universe and strong.
It is out of sight in the hotel Salomon de Rothschild that the duo
Nana Aganovich Brooke Taylor has decided to launch its autumn winter
parade Aganovich 2013-2014. When the lights went out a shape is drawn
then advanced towards us large blue black coat with lapels on the
shoulders which escaped through a pair of boots purple. Shoulders were
rounded and determined look.
A result mainly composed of silk then scrolled. Sometimes iridescent
purple hues appeared echoing boots. The movement being preferred in
Aganovich also found a lot of frills and materials deconstructed.
Aganovich autumn winter 2013-2014
played on the deconstruction of the classic silhouette through games
overlays, Initially confusing to the eye indicating a closer look in a
certain harmony in these figures.
In the manner of Moon Young Heel Fall winter 2013-2014 the duo Aganovich privileged aesthetic contrast with much accumulation of parts while avoiding adding to the silhouette.
Aganovich the same time the bias is to adopt a more fashion oriented
than unisex absolute femininity. A choice as adopted by Jil Sander
autumn winter 2013-2014 but much more frank in Paris. Aganovich autumn
winter 2013-2014 is also an amazing color palette.
Indeed, in addition to the traditional black and white imposed by
winter we had a lot of purple, blue and ocher surprising. On silk
garments ocher turned into a pretty sandy shade brighter. This turned
into clothes light.
Sometimes designers have even ventured to couple with color shades
sanded to its tip. After this episode light black and white have
returned to their quarters first in the form of a white blouse worn with
a long black skirt before completely falling into a large coat of
ebony. Brooke Taylor and Nana Aganovich the impossible duo Aganovich
announce autumn winter at risk.
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