For their parade Aganovich autumn winter 2013-2014, Brooke Taylor and Nana Aganovich imagine complex parts where volumes colors and materials intertwine to give rise to a singular universe and strong.
It is out of sight in the hotel Salomon de Rothschild that the duo Nana Aganovich Brooke Taylor has decided to launch its autumn winter parade Aganovich 2013-2014. When the lights went out a shape is drawn then advanced towards us large blue black coat with lapels on the shoulders which escaped through a pair of boots purple. Shoulders were rounded and determined look.
A result mainly composed of silk then scrolled. Sometimes iridescent purple hues appeared echoing boots. The movement being preferred in Aganovich also found a lot of frills and materials deconstructed.
Aganovich autumn winter 2013-2014 played on the deconstruction of the classic silhouette through games overlays, Initially confusing to the eye indicating a closer look in a certain harmony in these figures.
In the manner of Moon Young Heel Fall winter 2013-2014 the duo Aganovich privileged aesthetic contrast with much accumulation of parts while avoiding adding to the silhouette.
Aganovich the same time the bias is to adopt a more fashion oriented than unisex absolute femininity. A choice as adopted by Jil Sander autumn winter 2013-2014 but much more frank in Paris. Aganovich autumn winter 2013-2014 is also an amazing color palette.
Indeed, in addition to the traditional black and white imposed by winter we had a lot of purple, blue and ocher surprising. On silk garments ocher turned into a pretty sandy shade brighter. This turned into clothes light.
Sometimes designers have even ventured to couple with color shades sanded to its tip. After this episode light black and white have returned to their quarters first in the form of a white blouse worn with a long black skirt before completely falling into a large coat of ebony. Brooke Taylor and Nana Aganovich the impossible duo Aganovich announce autumn winter at risk.
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